This version recreates the popular technique of. The reverb/delay effects that can used on instruments such as guitar and drums can create simple layers that are often used in pop music as well. When you purchase the H910 Harmonizer plug-in, you also receive Eventides exclusive H910 Dual Harmonizer. This effect is well-suited for effects-heavy styles such as electronic music and progressive rock. Several Calrec microphones were purchased and new outboard equipment included an Eventide H910 Harmonizer, a Survival Projects panner, a Lexicon 224 digital. The harmonizer can also be applied to a synth in order to manipulate the initial output signal. Many guitar players use the harmonizer in a rock setting to create a guitar harmony effect for leads or to add single-note passages to impart a harmonic layer to the section they are playing. The H949 also offered unique flange, reverse, and randomized pitch effects. Produced from 19791984, it introduced MicroPitch which used a proprietary single sideband modulation technique for precise control of small pitch shifts. What musical genres suit the Eventide harmonizer? Building on the legacy of the H910 Harmonizer, the H949 was Eventide’s first de-glitched pitch shifter. On the H910 plug-in, click the button labeled 'KYBD' for the Pitch Control Select and you can now control the H910 via MIDI Keep in mind that the center C note of the keyboard causes no pitch change from the plug-in, notes below the center C will cause the plug-in to pitch down, and notes above the center C cause. Now insert the H910 plug-in on the Console channel you want to effect. You can make the Eventide harmonizer part of an effects rig in a live setting in order to use its effects during a performance. Open Console Settings, click the MIDI tab, and select your MIDI controller keyboard from the 'Device' menu. It can also be used as a plug-in during a mixing section, where you can apply a recorded audio signal and "re-amp" it with any of the effects that the harmonizer is capable of producing. You can use the harmonizer as a delay/reverb on an instrument such as a drum in order to obtain more echo in the sound. What are some uses for the Eventide harmonizer? The pitch-shifting effect can heighten or lessen an audio signal to suit the context of the musical setting. The dual unit that comes with the Eventide harmonizer lets you take an audio signal, duplicate it, and then pitch it differently, so it contrasts with the initial sound to create harmony. This creates a unique sound effect that can be useful for a multitude of musical settings. The envelope follower lets you manipulate pitches, whether to switch to a certain pitch or vary it multiple times within a certain time frame. The MIDI mapping feature allows artists to control and change the pitch and harmonization in real time, making it useful to duplicate certain sounds in live settings. Many features help the Eventide harmonizer create effects for multiple instruments. From snares to guitars to vocals, the Eventide Harmonizer is both distinctive and diverse in its performance. It serves as a supplemental effect to any instrument you pair it with. Designed by engineer Tony Agnello as a tool for pitch shifting, delay and feedback regeneration, it originally sold for 1,600, which is about 7,500 by today’s standards. The Eventide Harmonizer, available new or used in a wide range of prices on eBay, is a useful addition to a guitarist's pedalboard. H910 Harmonizer In 1975, Eventide released the world’s first commercially available digital pitch-shifting unit, the H910 Harmonizer. Thank you for your purchase of the Eventide H910 Harmonizer plug-in. Eddie Van Halen and Steve Winwood also used the H910, each owning two of the units and incorporating them into their live and studio set-ups.Create Sounds with the Eventide Harmonizer 2 Registration, Activation, and Installation. Producer Tony Visconti used the H910 to achieve the now-legendary snare sound on David Bowie’s Young Americans, and Tony Platt did likewise on AC/DC’s Back in Black.
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Jimmy Page was an early fan, incorporating the H910 into his guitar rack, and, similarly, Frank Zappa employed it heavily as part of his guitar sound. In 1974, Agnello conceived of a harmony processor but had little idea that he was creating a classic tool for the most successful artists of their generation. Ideal for vocals, guitars, and horns, the Eventide H910 was invented by then-engineer, Tony Agnello. Music engineered on the H910 became the soundtrack of the seventies and eighties drawing praise and extensive use from a select group of top artists and producers. Early customers included New York City’s Channel 5 putting an H910 to work, downward pitch shifting the audio portion of “I Love Lucy” reruns that were sped up to squeeze in more commercials. Users soon found all sorts of applications, ranging from regenerative arpeggios to bizarre sound design effects to lush guitar or vocal fattening.
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Yes, vocalist Jon Anderson tested the first prototype.